Sunday, 11 September 2022

Not Quite Book Review Corner: Mick Herron (Night's Black Agents)


via Waterstones

Mick Herron's Slough House series, a must-read for Night's Black Agents players and Directors alike, has two major themes that it rams home again and again.

  1. The English are their own worst enemy.
  2. Boris Johnson is an arsehole.
Which is fair enough so far as it goes. I don't think anyone would disagree with point 1. Point 2 depends largely on whether you believe Boris is a Blofeld or an idiot. Or both, but personally I lean towards idiot and have done for many years. For that reason I think Herron gives Johnson too much credit.  

The Slough House series is set in modern Britain of the mid-to-late 2010s. It presumes there is a dead letter office for spies, Slough House, where the cack-handed and past-it are sent to while away the days waiting for retirement. Its nominal leader is Jackson Lamb, a cold warrior whose glory days are so far behind him you couldn't see them with a telescope. He's the anti-Bond, charmless and bullying, who somehow manages to get things done despite everything. Underneath him are an ever-changing band of misfits. One or two may drop off the twig from book to book, but Slough House survives.

Despite being a spy series unlike a le Carré narrative nearly all the action takes place in London. The George Smiley lookalike is dead by his own hand after selling Her Maj's secrets to the Russians, and the current leadership is more Judi Dench M than anything else. Though you presume all these actual spies doing real jobs over at Park House - the ones who haven't been shitcanned to Slough House - have adventures in foreign lands, the ones at Slough House are lucky if they get a day trip to the Barbican which, as it happens, is right next door.

The main antagonist of the series is Joris Bohnson, aka Peter Judd, who crops up again and again in several different roles across the series. He doesn't have it in for Slough House per se, at least not in the early books (I haven't read the entire series). However, his latest wheeze always seems to involve Jackson's lambs somehow, whether on the periphery or as the main event.

Herron had a very tedious trick in his first novel, Slow Horses, which I'm glad to say he has dropped. Slow Horses revolves around a kidnapping by a British terror group, BNP-adjacent white supremacists who've decided to execute a British Pakistani Muslim in retribution for some tedious thing or other. In that novel Herron would strongly suggest in the narrative that X has happened when in fact it was Y, and when Y is revealed Herron does a little dance to show how clever he has been. This misdirection is fun once. Fun twice. On the three-hundred and forty-ninth repetition it gets wearisome. 

Thankfully he does not overuse it in the other Slough House novels. 

He does do one thing he deserves praise for: he mentions Brexit. Not by name. Rather like Yog-Sothoth, Brexit must not be named. However, it does turn up as a plot point, which is something I've not seen other authors working in modern-day settings do. 

Real Tigers has a plot device that Night's Black Agents Directors, and possibly Dracula Dossier Directors, ought to steal. Without giving the game away, the device is this: the British Secret Service keeps what it calls Grey Books, a series of files about conspiracy theories and the people who believe them. They do this for two reasons. First, the people who believe that the Queen was in fact a Reptilian are sometimes one Armalite away from doing something tragic. Second, there might (just might) be some useful intel in there somewhere. 

The villains of the piece want those Grey Books and coerce Slough House into getting it for them.

The Grey Books are plausible. You can imagine every intelligence service keeping something like them, and there are real-world examples. In Night's Black Agents there's every reason to think those Grey Books contain useful intel about everyone's favorite conspiracy theory: the vampires that secretly Rule The World. They'd be prime targets for every Night's Black Agents group and the great thing about it is, every national government would have something like those Grey Books. You don't have to restrict this to a London setting. It could as easily be the Vatican, or France's DSGE, or German's BND. 

To that end:

Tiger, Tiger Burning Bright     

Your tiger team is tasked with breaking into the national intelligence agency's archives and stealing the Grey Books, their version of the nutjob files. Every conspiracy theory that gained traction is in there. It's considered a relatively safe thing to steal; not exactly the crown jewels of the nation's security secrets, but important enough to be kept behind a door with more than one lock.

Your supposed Mr. Johnson (no, not that Johnson) is a high-ranking politician who wants to tweak the tail of the security services. They think that embarrassing the current Head of Security will get them leverage in their latest political scheme. What Mr. Johnson doesn't realize is that his second-in-command has personal reasons for wanting that file and will take the first opportunity to steal it from the group.  

That leaves the agents swinging in the wind. Mr. Johnson, seeing how his scheme has fallen apart, will deny all knowledge. Hire a tiger team to test national security services? Never! Not our Mr. Johnson. Meanwhile the second-in-command is in the wind and the agents are effectively on the run - unless they can somehow get that file back. Even if they do, will they be able to buy their way back into the government's good graces or are they permanently ruined?

On top of all this: just what's in that nutjob file that everyone seems to want so badly?  

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