Showing posts with label Brighton. Show all posts
Showing posts with label Brighton. Show all posts

Sunday, 16 November 2025

UK Books! Brighton World Fantasy Convention 2025

I have returned! 

Frankly, half the plane was coughing, spitting and imitating the soon-to-be-deceased so I expect any minute now I'll start imitating the Exorcist.


[brief follow-up: I did indeed catch the flibble or whatever it was flying across the friendly skies and spent the week following my return coughing, sniveling and otherwise illing. Che sera, sera. But I did play Dispatch three times, soo ...] 

While I have the energy to type, let me tell you about books, and about the one that got away.

Bought at World Fantasy Con 2025, Brighton, from various vendors:

The Dagon Collection: An Auction Catalogue of Items Recovered in the Federal Raid on Innsmouth, Mass (ed. Nate Pedersen.2024 PS Publishing)

The Starry Wisdom Library: the Catalogue of the Greatest Occult Book Auction of All Time (ed. Nate Pedersen, 2014 PS Publishing).

No prizes for guessing why these two appealed to me. I haven't read either yet and expect to data mine these for interesting ideas rather than fall prone in ecstasy at the prose, but you never know your luck. I look forward to having items from both catalogues appear in subsequent campaigns I might run.

Night's Black Agents, (Fritz Leiber short story collection, Sphere 1977)

Uncle Silas (Sheridan LeFanu, Transworld 1966). 

You can't beat the gothics, and while Leiber's more of a modern I can't help but think of him in the gothic class. There's something about his word choice, his stylfgfsdse, that makes me put him in that group. I look forward to reading them both; I tried to get into Uncle Silas on the plane but that was a mistake. You can't concentrate on a long haul flight. I watched Mr. Vampire: Vampire vs Vampire instead.



The Go-To Guy (Neal Hardin, 2018 Stairwell Books)

Both bought on a whim and I haven't read either yet, though I have started Go-To Guy. It's a laugh, but I don't take it seriously, which is probably why I haven't finished it yet.

Audition for the Fox (Martin Cahill, 2025 Tachyon). 

Bought on a whim, and I haven't started it yet. I like the idea, but by God the vendor made it difficult to spend money. I think the Americans were hoping that the buyers at a World conference were all going to be English and planned accordingly. That was silly of them.

Korean Folk & Fairy Tales (ed. JK Jackston, 2025 Flame Tree).

A very pretty little thing. K-Pop Demon Hunters made me realize I don't know as much about Korean folklore as I ought, so I figured I'd rectify that omission. 

Cold Steel: Book II Fire Heart (Joyce Ch'ng, 2025 Snowy Wings).

Bought from the author. Again, I haven't had chance to more than glance at it. I look forward to it.

Now, for a few things I didn't buy at the con, some of which I've actually read:

Strange Houses (Uketsu, translated Jim Rion, 2025 Pushkin Press)

The Samurai Detectives (Shotaro Ikenami, translated Yui Kajita, originally 1973, Penguin 2025).

Both bought at Waterstones. Samurai Detectives is vol 1; vol 2 isn't due until Feb 2026. This is the first time Ikenami-san's work has appeared in English. I've read both and highly recommend them to anyone who likes action, swordplay, historical drama (Samurai Detectives) and peculiar, terrible horrors (Strange Houses). 

Soldiers Three/Under the Deodars/Phantom Rickshaw (Rudyard Kipling, publisher unknown, publication date unknown, hardback rebound edition of works originally published at the turn of the century).

I don't know what to make of this one. It must be a reproduction but I've no idea who put it together or when. The only clue I have is a notation on the inner cover: bound by W.J. Askew, Plymouth. It's a hardbound version collecting three shorter paperbound volumes. Each paperbound is a faithful copy of books that would have been sold for One Rupee via the Indian Railway Library. I can't help but think this must be one volume from a larger Kipling repro collection of some kind, though it's not labeled as such and there's no indication on the frontispiece or back pages. It's a completely faithful copy right down to the advertisements, so if ever you wanted to know what was on offer back in 1890-whatsit, now you can. Probably very useful for those of you who like to mock-up props; a scanner and better Photoshop skills than mine will serve you well. Not sure when the reproduction was issued. Guessing by quality of hardcover, paper and spotting I'd say probably 1970s, but honestly it's a complete guess. Bought at Oxfam, Greenwich.

More Penguin Science Fiction; Yet More Penguin Science Fiction (ed. Brian Aldiss, Penguin 1964 & 1966).

Classic science fiction which means there shall be all sorts of unintended comedy, but I look forward to it. Various authors, of course. Bought at Just Vintage, Greenwich Market.

A brief word on the one that got away. 

Just Vintage has in its collection a first edition of an M.R. James publication, 1911, More Ghost Stories of an Antiquary. Selling for a little under 700 quid. Now, I'm a huge fan, as you know. I was greatly tempted. But our climate is death to books of that sort, never mind the roaches, and I'd be heartbroken if I was indirectly responsible for destroying such a thing as this, after a hundred years. So I left it on the shelf and am still gnashing teeth. 

Murder at the Black Cat Cafe includes Why Did The Well Wheel Creak (Seishi Yokomizo, translation Brian Karetnyk, 2025 Pushkin Press)

Suddenly At His Residence (Christianna Brand, British Library edition 2023, first published 1946)

Tour de Force (Christianna Brand, Library edition 2024, first published 1955)

All bought at Foyles.

I've a lot of respect for Brand as a plotter of mysteries. She plays fair. You know going in that you've as much information as you need to identify the culprit. You also know that your odds of doing so are next to nil. I've read both and can recommend to period mystery lovers. No, I didn't solve the crimes. 

Yokomizo-san is someone I've read before and enjoyed. He's basically pulp mystery; strange corpses, lashings of blood, peculiar and horrific events. Like Brand, Yokomiso-san plays fair. Also like Brand, odds are you won't work out who did it. Read this in the airport going home, can thoroughly recommend. 

The Sutra of Pale Leaves, (various authors/artists, Chaosium 2025)

Alien Clay, (Adrian Tchaikovsky, Subterranean Press 2025)

Both gifts, and I'm incredibly grateful.

I haven't had time to more than glance at Sutra, but from what little I've seen it's exactly the kind of campaign I'd enjoy. The Yellow King is one of those entities that deserves an artistic touch and by the looks of things that's exactly what it gets. I particularly like Chapter 4: the Pallid Masks of Tokyo - such an interesting idea!

What did I think of the convention? I liked it a lot. It lacks the go-to and busyiness of an American convention. It's less focused, less well organized. But it has a heart that some American conventions lack. I confess to a little bias in that I like Brighton very much and thoroughly enjoy visiting there. I had a little time to wander round and, if you find yourself in Brighton, I think you should visit Snoopers Paradise, the all-for-all flea market. Also, Coho is a great way to start the day with coffee and danish. 

Would I go again? I'm thinking about it. I'm told the 2027 con is in Canada and that's a hell of a lot easier to get to, from my perspective. I am in absolutely no hurry to make it to California in 2026. Nope. Nuh-uh. Not happening. But Canada? Canada's doable. 

Finally, uncle Kevin.

I stopped by Raining Books. It's as I remember. Shut up, of course. Lord knows what's going to happen to the place and I dread to think what the condition of the books in there is now. Never mind that leaky roof.  It's been nearly a year, and I doubt the builders have been in to patch anything up. But I was grateful to have the chance to stop by and say farewell. His ex-wife left a lovely tribute to his memory up on the door, and there were other posts as well.

See you later, mate.   
 


 


Sunday, 26 October 2025

November Madness!

OK, I fly off to the Brighton UK World Fantasy thingummygig tomorrow and will be incommunicado for two weeks! If anyone needs to keep in touch for that period best bet is Bluesky, and if you're not already aware you can get me at @karloff0734.bsky.social. I will try to post a couple Skies while there but otherwise will be enjoying the time off and dealing with family stuff.

I'll drop by what used to be Raining Books, my uncle's Brighton bookshop, but only to say farewell. I know a couple of you used to visit the shop and by now you'll be aware he died earlier this year. I'm not sure what state the building's in; I expect it will be passing into new hands by now, if it hasn't already.

Question for the hivemind! If someone like me were to dip their toes into online, what virtual tabletop best suits Cthulhu or modern gaming? Roll20 is the obvious one. It does pretty much everything, and Kickstarter promises all kinds of other virtual TT experiences. Which, in your opinion, is the best of the bunch? Looking at user friendly as much as options available; I want to use my time wisely. 

Now, let's dabble in travel and suppose that your Bookhounds are travelling from London to Brighton in search of whatever they may find. They may have a definite object or they may just be on the knock, trying to source some rarities by knocking on doors to see what can be had.

One route to Brighton, as The Brighton Road (Charles G Harper) helpfully illustrates, takes the Hounds through Horley, where they might find the Six Bells Inn:

The nearest neighbour to the church is the almost equally ancient “Six Bells” inn, which took its title from the ring of bells in the church tower. Since 1839, however, when two bells were added, there have been eight in the belfry.

The stranger, foregathering with the rustics at the “Six Bells,” and missing the old houses that once stood near the church and have been replaced by new, very quickly has his regrets for them cut short by those matter-of-fact villagers, who declare that “ye wooden tark so ef ye had to live in un.” A typical rustic had “comic brown-titus” acquired in one of those damp old cottages, and has “felt funny” ever since. One with difficulty resisted the suggestion that, if he could be as funny as he felt, he should set up for a humorist, and oust some of the dull dogs who pose as jesters.


The Six Bells still exists today. Judging by the image, its exterior has barely changed in a hundred years. If it was called Six Bells in 1839 the suggestion is that it's been on that spot for many years prior. From the Hounds' POV, the Six Bells is at least a hundred years old and probably older. The rumor of a passage underneath the inn that leads to the church is an old tale; there isn't an inn pub in existence that hasn't had that story told about it.

Church Inns aren't uncommon, particularly in the UK. 

This is the third edition of Brighton Road, published 1922, so most of the facts (or purported facts at least) will be relevant to 1930s Hounds. Though the book doesn't say, I'm guessing those houses close to the Church were owned by the Church. If the author misses them in 1922 then presumably they existed in 1892, when the book was first published.

In any case, fiction can do as it pleases.

Brown-Titus

The Hounds are on their way to Brighton for reasons of their own and have stopped in Horley for a bit to have a pint and pie at the Six Bells before pressing on. 

While there, one of the locals presents them with a scrap of a larger manuscript hoping to sell it to them. The man, John Henry Bristow, is an old resident who lives on charity and a small pension. The Hounds don't know if he realizes what he has, or whether there's more out there.

Four things about the manuscript:

  1. It dates to the 1830s and tells a story about something that happened in the 1750s.
  2. It's not clear what the something is, but it might be a witch trial that took place locally. There's not enough of it here to be certain about it.
  3. The paper and printing are genuine enough. There are peculiar brown stains on the paper which might be mold.
  4. ROME. Whatever that may mean in your narrative.
Four things about John Henry:
  1. He says he's more than four score and ten and judging by appearances he's in his eighties.
  2. There's something hypnotic about his eyes.
  3. Nobody at the Six Bells likes him much. If anything, they're scared of him.
  4. For someone his age, he moves well and has an iron grip handshake.
John Henry says the rest of the manuscript is at his cottage and will take the Hounds to see it, if they are interested. His cottage isn't far from the Six Bells, but he won't take them there till after dark. He'll want a few pints at the pub first.

Option One: Hideous Cravings.  John Henry found this manuscript stuffed under the floorboards of his cottage. It tells the story of a 17th century trial in which the accused claimed to be a werewolf, and to have suffered this curse after meeting a mysterious dark figure at a nearby crossroads. Anyone with Mythos realizes that this is actually an account of someone becoming a ghoul after encountering another ghoul. While John Henry isn't a ghoul, he's becoming very interested in some ghoulish practices after reading the manuscript and is hoping for a taste of Hound flesh.

Option Two: Hideous Hijinks. John Henry isn't local. He's a plant. One of the Hounds' rivals knew they were on their way to Brighton and is hoping to hold them up long enough so the rival can get to Brighton before they do and scoop the prize, whatever that is. John Henry is a minor Magick user with hypnotic abilities, who will use those abilities to keep the Hounds busy for as long as he can manage it. The manuscript doesn't exist and never did. John Henry Bristow is an assumed name; the Hounds might recognize him as Lewis Ackerman, a Book Scout with some acting talent.

Option Three: Hideous Mold. There is no John Henry Bristow. What passes as him is actually a mold colony that grows in one of the last remaining old cottages clustered near the Church. The Colony uses the John Henry illusion to collect new building material - like the Hounds. Think of it like a vampire but made of fungi. It knows better than to attack the locals, who might decide to destroy it; but outsiders are fair game. The mold keeps Horley people in check by clouding their minds with its spores; the Hounds may realize the locals are under what amounts to mass hypnosis, which may be their only warning that John Henry is not what he appears to be.

That's it for this week! Enjoy!

Sunday, 13 August 2023

Books! Help! Books!

 Oh, dear God. 

I spent rather a lot of money on books. Also DVDs, but mainly books.



I don’t know what kind of stress tests they do on carrier bags to make sure the handles can handle it, but they clearly had me in mind when they designed them.

A couple random thoughts before I go over the purchases: it is always worth sticking your nose into a charity shop; ditto those odd little places that describe themselves as antiquarian shops; Guernsey is a lot of fun; never pass by a London street market without poking your nose in; good things come in messy packages.

To begin.

The Mystery of the Blue Train and The Secret Adversary, both Agatha Christie, republished collectables in the style of the original publishing. I remember picking up a copy of Murder on the Orient Express a while ago in a similar format, but this is the first time I’ve seen anything quite like it.  I originally thought this was a new series, but having researched a bit I think this must be an old boxed set that someone broke up and started selling in second-hand shops. Possibly more than one boxed set. I saw these for sale in at least two different London stores.



Very, very pretty. Worth picking up as props for a Bookhounds game. Moderately pricy at 25 quid a pop, but not insane money. The set is 26 novels and I don't know which ones were picked for the collection - Christie published 74 novels, after all - but it's a pretty broad group, including folks like Parker Pyne as well as Poirot. If they're available in second-hand shops, they must be on ebay and similar. Picked up at Boom Cat Books, Camden Market.

The Tao of Igor, collected Dork Tower by John Kovalic. I already had most of these in comic form but never knew how it ended. Now I do! Picked up at Orc’s Nest.



Black Chrome (Cyberpunk) and Cthulhu City (Trail) both picked up at North London’s shining star, Leisure Games. I haven't had a chance to read either yet but Cthulhu City is just my cup of arsenic. Looking forward to it!

Death of Mr. Dodsley, one of the British Library’s crime collection. These are usually fun but there’s an added bonus: the victim is a bookseller and the story involves a lot of book lore. Bookhounds players/keepers, take note. I read this within a day or so of purchase and highly recommend. Picked up at the Lexicon in Guernsey.

Fracture, picked up at Blackwell’s, Oxford. Quick word about Blackwells: they have outposts all over the country but, for my money, if you want anything interesting or academic you need to go to the Oxford shop. That's easier to do now the Elizabeth Line is working, which wasn't the case when I was last in the UK. This is a history of the 1920s-30s and it covers absolutely everything. I really do mean everything. Ordinarily this sort of thing focuses on, say, the UK, or US, and has one particular topic in mind. This covers the whole schmeer, from astrophysics to Marlene Deitrich, across Europe and North America. Anyone who wants to know more about the world according to Call or Trail of Cthulhu needs this book in their library.

The Saint Sees It Through, Leslie Charteris, 2nd edition with the original jacket. I have a weakness for this sort of thing (see also the Agatha Christies mentioned above). I’m not a huge Saint fan but if you want to know how to write pulp, this is a great starting point. Beware period views on race and sexuality. Picked up at my uncle’s second-hand place in Brighton, Raining Books on Trafalgar Street, within easy walking distance of the train station. My uncle’s a great bloke; organization is not his strong suit. 

The Ingoldsby Legends. Picked up at Curiosities, an antiquarian shop in Guernsey. It’s often worth your while poking your nose in that sort of place, particularly in somewhere not often frequented like Guernsey. You never know what might be hanging around. This is the 1898 Richard Bentley edition, with illustrations, and is a collection of all three books. The originals would have been published in the 1840s as single volumes. Comic ghost stories and verse. I'm not a huge fan of comic verse - it goes on a little long and I find it wearisome - but the stories are entertaining Gothic and might give you inspiration for your own tales.

The Bailiwick of Guernsey by CP Le Huray. part of the King's England series, published 1952. Picked up in a Guernsey charity shop. Interesting, detailed, a little dry. Since it's immediately post-war it does cover the German invasion but not to a great degree. Judging by the frontispiece this was one of a series that covered the whole of the UK; if you have a particular interest, it may be worth seeking out some of the others. 

Down and Out in Paris and London, George Orwell. I used to have a copy of this but I’ve no idea where it went. Very pretty edition with what looks like a period-ish cover. Again, the sort of thing worth using as a prop in a Bookhounds game. Picked up at Boom Cat Books, Camden Market.

The Warriors, Sol Yurick. Bet you didn’t know there was a book on which the film was based! The film bears almost no relation to the book bar the central premise, but that doesn’t mean the book isn’t fun. It’s gritty and reality-based, rather than the knockabout free-for-all the film becomes. Picked up at Foyles.

The Cliff House, by Christopher Brookmyre. I’m a huge fan and have pretty much all of his stuff. This is a new one on me. Picked up at Foyles.

I Am Not A Number by Alex Cox.  The Prisoner: an explanation; pretty detailed. An interesting piece. Workmanlike writing style but he covers all the bases and gives the reader a clear idea of what happened and why. Not a must-have, but if you enjoy the Prisoner it's worth considering. Picked up at Blackwell’s, Oxford.

Occult London, by Merlin Coverly.  Picked up at Foyles. I haven't read it yet so I can't say how good it is, but it has some strong selling points. First, it covers a broad timeline from the Elizabethan period to the modern day. Second, one of its appendixes is all about occult bookstores in London. Bookhounds players/keepers should at least consider this one; whether or not you purchase is up to you.

Quatermass II, Nigel Kneale. This right here is why you should always pay attention to London street markets. I’m sure this needs no introduction. Found on my last day, Rare Books and Curios, Greenwich Market. On a side note, if you want a decent pint and don’t want to end up in a tourist pub, I recommend the Plume of Feathers on Park Vista. It’s a short stroll from the market proper, near Greenwich Park. Atmosphere’s good.



DVDs: as you ought to have learned by now, streaming only works so long as the service provider is willing to let you keep streaming. Things you thought you bought vanish in a heartbeat. Picked up mostly at Fopp, Timeslip in Brighton, and Music & Video Exchange in Greenwich. I’m basically filling in gaps in my collection at this point.

Among them:

Conan the Barbarian

28 Days Later

The Crazies (remake of the Romero original, picked up because it has Timothy Olyphant)

The Day of the Triffids

Prince of Darkness I first saw this on the big screen at the Greenwich Picturehouse years ago, before COVID. Definitely worth seeing on the big screen if you can manage it - but I'd say the same for all Carpenter films.

An American Werewolf In London

The Haunting (I used to have a copy of this but it died, so here's a replacement)

Snatch

Full Metal Jacket

That's it for this week. Enjoy!